Leakage may occur from your mouth, though most of us are capable of keeping the sounds to ourselves, or at least to a soft lip murmur.
Yet no one can deny sound’s place in comics, with their BIF BAM BOOM, pulverizing crashes, and blood-curdling screeches. Nor will you find a jack to plug in headphones and pipe a soundscape into your ears. You’d be hard-pressed to pick up actual sound waves from its drawn images.
Of course, comic books (by which I mean any bound volume in the comics medium) lack electronics, and there is no drawn and printed software independent of the paper hardware. When composed in a certain way, a comic book is something like a Walkman. Ryan Holmberg | AugYokoyama Yūichi, Travel (2006). Features Eye Drum: Yokoyama Yuichi and Audiovisual Abstraction in Comics
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